randian | 燃点

As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more

Para Site is pleased to present A Lecture, A Performance, and A Panel, three public programmes taking place alongside The World is Our Home. >> Read more

Since the 70s, Berlin has attracted some of the most avant-garde musicians from around the globe, with a strong upsurge of experimental music in the 90s set within the rich atmosphere of possibility that marked the years following the fall of the Berlin Wall. Today, Berlin’s sound-scene continues to take a leading role on the international stage. >> Read more

From the serious to humorous, the voyeuristic to observed, the real to the imagined, “Haze and Fog” (2013) presents another collective identity of China today by commenting on the rapid construction of the contemporary metropolis... >> Read more

In one way the “best” and “worst” may be understood as opposites, as part of the dialectic of rational, western materialism, in which existence is formed by choice and circumstance. Yet, in another sense, the best and worst are embedded within the same cyclical motion. >> Read more

In one way the “best” and “worst” may be understood as opposites, as part of the dialectic of rational, western materialism, in which existence is formed by choice and circumstance. Yet, in another sense, the best and worst are embedded within the same cyclical motion. >> Read more

randian: The biennale is titled "The Best of Times, The Worst of Times. Rebirth and Apocalypse in Contemporary Art." What’s it about?David Elliott: Well, it’s like all my large shows of contemporary art in that it gives a particular take on what is happening now and on why some of the best art being made is absolutely central to a wider appreciation and experience of the world. >> Read more

Zhai Zhenming in Conversation with Paul Gladston. >> Read more

AIKE-DELLARCO is pleased to announce “Oh no!” – Baimiaole Solo Exhibition, A Project by Chen Jie, on view from June 7 until July 12. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more